Looks and Aesthetics
Beautiful.
One cannot equate the feeling of a musician falling head over heels with their instrument that not only plays magnificently, but also is stunning.
This connection sparks inspiration and motivation to create.
This is exactly the enthusiasm that drives us in every build.
Every visual design element in our instruments has been developed over time with passion in order
to serve our sound vision.
Original.
The goal has always been to make a new and refreshing design that honours the history and
tradition of the electric guitar.
The Brand New Body Shape:
Flawless flowing curve that starts at the knobs station and gestures up towards the long horn.
Original and practical knob design.
The back cavity’s design communicates with the lower boat shape.
The Headstock Design:
The headstock's original yet classic shape is ornamented with what we have designated as
“The Element”, a wooden sculpture that has been designed to marry the strings’ natural motions,
and together hints the mast and bow shape.
The Headstock Element:
A homage to two important inspirations for our creation.
When looking from a side POV one will notice a subtle elegant hint of a violin waist and the shape of a traditional planer. That together embraces the world of woodworking and Classical musical instruments. (optional)
5 Piece Neck:
A beautiful combination of mahogany and oak which provides a luxurious feeling. (available only with headstock Element)
The Floating Hardware Method:
Not only is this important for the sound quality, it also provides an elegant and impressive aesthetic.
The Tailpiece:
Built from a number of layers of ebony and brass. Provides key connection for the headstock via the strings and can be seen as the jewellery of the instrument's body.
Fretboard:
Clean design. Stunning flame maple 12th fret ornament.
Electronics:
We planned the back cavity to be as accessible as possible for guitar technicians.
The inner unit can be removed entirely, for maximum safety and comfortability.
Simple layout: 2 pots - master volume, master tone. 1 rotary switch acts as a selector between middle position and out of phase mod. All three have identical knob as a way to maintain a clean and unified design.
Looks and Aesthetics
Beautiful.
One cannot equate the feeling of a musician falling head over heels with their instrument that not only plays magnificently, but also is stunning.
This connection sparks inspiration and motivation to create.
This is exactly the enthusiasm that drives us in every build.
Every visual design element in our instruments has been developed over time with passion in order
to serve our sound vision.
Original.
The goal has always been to make a new and refreshing design that honours the history and
tradition of the electric guitar.
The Brand New Body Shape:
Flawless flowing curve that starts at the knobs station and gestures up towards the long horn.
Original and practical knob design.
The back cavity’s design communicates with the lower boat shape.
The Headstock Design:
The headstock's original yet classic shape is ornamented with what we have designated as
“The Element”, a wooden sculpture that has been designed to marry the strings’ natural motions,
and together hints the mast and bow shape.
The Headstock Element:
A homage to two important inspirations for our creation.
When looking from a side POV one will notice a subtle elegant hint of a violin waist and the shape of a traditional planer. That together embraces the world of woodworking and Classical musical instruments. (optional)
5 Piece Neck:
A beautiful combination of mahogany and oak which provides a luxurious feeling. (available only with headstock Element)
The Floating Hardware Method:
Not only is this important for the sound quality, it also provides an elegant and impressive aesthetic.
The Tailpiece:
Built from a number of layers of ebony and brass. Provides key connection for the headstock via the strings and can be seen as the jewellery of the instrument's body.
Fretboard:
Clean design. Stunning flame maple 12th fret ornament.
Electronics:
We planned the back cavity to be as accessible as possible for guitar technicians.
The inner unit can be removed entirely, for maximum safety and comfortability.
Simple layout: 2 pots - master volume, master tone. 1 rotary switch acts as a selector between middle position and out of phase mod. All three have identical knob as a way to maintain a clean and unified design.
Looks And Aesthetics
Beautiful.
One cannot equate the feeling of a musician falling head over heels with their instrument that not only plays magnificently, but also is stunning.
This connection sparks inspiration and motivation to create.
This is exactly the enthusiasm that drives us in every build.
Every visual design element in our instruments has been developed over time with passion in order
to serve our sound vision.
Original.
The goal has always been to make a new and refreshing design that honours the history and
tradition of the electric guitar.
The Brand New Body Shape:
Flawless flowing curve that starts at the knobs station and gestures up towards the long horn.
Original and practical knob design.
The back cavity’s design communicates with the lower boat shape.
The Headstock Design:
The headstock's original yet classic shape is ornamented with what we have designated as
“The Element”, a wooden sculpture that has been designed to marry the strings’ natural motions,
and together hints the mast and bow shape.
The Headstock Element:
A homage to two important inspirations for our creation.
When looking from a side POV one will notice a subtle elegant hint of a violin waist and the shape of a traditional planer. That together embraces the world of woodworking and Classical musical instruments. (optional)
5 Piece Neck:
A beautiful combination of mahogany and oak which provides a luxurious feeling. (available only with headstock Element)
The Floating Hardware Method:
Not only is this important for the sound quality, it also provides an elegant and impressive aesthetic.
The Tailpiece:
Built from a number of layers of ebony and brass. Provides key connection for the headstock via the strings and can be seen as the jewellery of the instrument's body.
Fretboard:
Clean design. Stunning flame maple 12th fret ornament.
Electronics:
We planned the back cavity to be as accessible as possible for guitar technicians.
The inner unit can be removed entirely, for maximum safety and comfortability.
Simple layout: 2 pots - master volume, master tone. 1 rotary switch acts as a selector between middle position and out of phase mod. All three have identical knob as a way to maintain a clean and unified design.
Classic.
The cornerstone of all of our designs is to keep a traditional classic feeling.
To show a timeless design that blends the rich history of traditional lutherie with desire to be a clear leader of movement within the industry.
Traditional.
We kept certain traditional elements we adore in our design language:
The ABR-1 bridge.
The pickup covers shape.
We used traditional materials:
Traditional lacquers glues and wood species:
ebony, mahogany and figured maple.
We used traditional painting and finishing techniques such as sunbursts.
Classic.
The cornerstone of all of our designs is to keep a traditional classic feeling.
To show a timeless design that blends the rich history of traditional lutherie with desire to be a clear leader of movement within the industry.
Traditional.
We kept certain traditional elements we adore in our design language:
The ABR-1 bridge.
The pickup covers shape.
We used traditional materials:
Traditional lacquers glues and wood species:
ebony, mahogany and figured maple.
We used traditional painting and finishing techniques such as sunbursts.
Classic.
The cornerstone of all of our designs is to keep a traditional classic feeling.
To show a timeless design that blends the rich history of traditional lutherie with desire to be a clear leader of movement within the industry.
Traditional.
We kept certain traditional elements we adore in our design language:
The ABR-1 bridge.
The pickup covers shape.
We used traditional materials:
Traditional lacquers glues and wood species:
ebony, mahogany and figured maple.
We used traditional painting and finishing techniques such as sunbursts.